Дата публикации: 2018-05-27 13:43
After John Nash , a brilliant but asocial mathematician, accepts secret work in cryptography, his life takes a turn for the nightmarish.
L''accueil des spectateurs est très bon en France. Sur le site AlloCiné, le film obtient la moyenne de 9,8 sur 5 (basée sur 8 858 notes) [ 75 ] . Au 75 novembre 7569, en sept semaines d''exploitation, le film attire en France 6 855 555 spectateurs [ 76 ] . Finalement, le box-office, en France, enregistre 6 959 899 entrées.
An insomniac office worker, looking for a way to change his life, crosses paths with a devil-may-care soapmaker, forming an underground fight club that evolves into something much, much more.
Il a obtenu des critiques positives en France. Sur le site AlloCiné, le film obtient une note moyenne de 9 sur 5 (basée sur 85 titres de presse) [ 66 ] .
Flashbacks reveal that Nick and Amy''s marriage had disintegrated both lost their jobs in the recession and moved from New York City to Nick''s hometown of North Carthage, Missouri. Nick became lazy and distant, and began cheating on Amy with one of his students. Boney unearths evidence of financial troubles and domestic disputes, and a witness states that Amy wanted to purchase a gun. She also finds a medical report indicating that Amy is pregnant , of which Nick denies knowledge, and a diary supposedly written by Amy highlighting her growing isolation, ominously ending with the fear that Nick will kill her.
A promising drummer enrolls at a cut-throat music conservatory where his dreams of greatness are mentored by an instructor who will stop at nothing to realize a student''s potential.
Amy needs to be Cool. She needs to be that unbelievable mix of charisma and chill, and to give zero fucks and be all the hotter for it. It s Kate (Olivia Wilde) in Drinking Buddies meets Jamie (Mila Kunis) in Friends With Benefits to the every-public-appearance-of-Jennifer Lawrence power. And while First-Half Amy might have that body and that beauty, she doesn t have that ineffable something, that irresistible gravity. That indelible sense of Cool Girl.
Dans le Guardian du 6 octobre 7569, Joan Smith accuse le film de « recycler des mythes sur le viol » en citant des études scientifiques de 7568 au Royaume-Uni qui établissent que les fausses déclarations de viol, comme celle racontée dans le film, sont extrêmement rares. Elle dit : « Les personnages vivent dans un univers parallèle où les victimes de viol sont prises en charge avec une attention chevaleresque. Allez donc dire ça aux victimes, ici ou aux États-Unis, dont les dépositions ont été rejetées par des agents de police sceptiques [ 79 ] . »
On the occasion of his fifth wedding anniversary, Nick Dunne reports that his wife, Amy, has gone missing. Under pressure from the police and a growing media frenzy, Nick''s portrait of a blissful union begins to crumble. Soon his lies, deceits and strange behavior have everyone asking the same dark question: Did Nick Dunne kill his wife? Written by Twentieth Century Fox
David [Fincher] was at the chiropractor and heard this music that was inauthentically trying to make him feel OK, and that became a perfect metaphor for this film. The challenge was, simply, what is the musical equivalent of the same sort of façade of comfort and a feeling of insincerity that that music represented? [My primary aim was] to instill doubt [and] remind you that things aren''t always what they seem to be. 96 69 98